Part 1 Interview with
Shinsuke Takizawa (NEIGHBORHOOD)


Before NEIGHBORHOOD was founded, motorcycles were what I poured more passion into than anything else. I was drawn into motorcycle culture through my admiration for Takizawa’s Harley-Davidson. The bike I received from him in the early ’90s is still running strong today.
Back then, information was scarce. If something didn’t exist, I made it myself; when something broke, I fixed it. Through repeated failures and trial and error, I gradually made it my own. The ingenuity and experience gained through that motorcycle culture may be what connects motorcycles not merely as a means of transportation, but to the very foundation of how I approach craftsmanship and thinking to this day.
There was a line in a motorcycle magazine column we used to read back then that went “Motorcycle makes a man.” This is a story about experiences that embody the meaning of those words.
Tetsu Nishiyama (TET)
Do you remember the column in an old motorcycle magazine called "Motorcycle makes a man"?
Shinsuke Takizawa (SIN)
Yeah, I think that phrase was originally a British proverb. It was about how riding a motorcycle teaches you many things, how it shapes you as a person, even in terms of culture and character. Something along those lines.
TET
Yes, it was. I can’t remember which magazine it was, but that column has stayed in my head ever since. Back then, magazines were the only source of information, so I really would read them cover to cover. The magazine itself felt like a textbook. There was no internet, no other way to get information, so everything was packed into that one issue. I’d even try to mentally increase the resolution of a single photograph and try to pull as much information from it as possible. It was completely different time.
SIN
Totally different. A photo you’d just swipe past in a second today, back then we would stare at it forever back then. Like, “Where is that part mounted?” or “Is that wiring running through the inside of the frame?”
The answers weren’t written anywhere, so all we could do was imagine.


The first issue of "Hot Bike Japan※1" and snapshots from that time.
TET
When I fixed my bike, I would call mechanics I’d gotten close to for advice because the service manuals were all in English. I mainly relied on the diagrams and did my best to translate them with a dictionary. Workspaces were anywhere. I remember working on my bike in the street, in parking lots, at home or at a friend’s place.
SIN
Exactly. I’d follow the English service manuals and call the shop for help too. I didn’t have a garage, so I couldn’t be picky. I had no choice but to work under the apartment building. I’d run an extension cord from somewhere to get power and use a sander out on the street. At first, I don’t even think I had a grinder, I was using a hacksaw.
TET
Tokyu Hands and the local hardware store were my parts shops, and the small local factories like sheet metal shops, paint shops and tent makers were my custom shops.
SIN
I remember that too. I’d go to the hardware store in front of Ebisu Station or the hardware and screw section at Hands over and over. I’d look at things that weren’t even for motorcycles and think, “Could I use this to mount a headlight?”
TET
My headlight actually fell off a few times while riding. (laughs)
SIN
Mine fell off too (laughs). It was thin, after all. But I could figure out why it happened too, either the mount wasn’t strong enough to handle the vibrations, or I hadn’t secured it properly. When something fails, you start to see exactly what to do differently next time.
TET
I’d try things like welding two metal plates together. I’d try things as an experiment, knowing from the start they were going to break.
SIN
Exactly. I never rode with the assumption that things wouldn’t break, so fixing them became second nature. And because you can’t repair something without understanding its structure, my way of looking at things naturally changed. That sense of being able to see how things work has stayed with me and carries over directly into my work today.
TET
The first time the two of us went to the Kiyosato bike meeting※2, I learned a lot about motorcycle culture. Almost everyone there had long hair, bandanas, black T-shirts paired with bell-bottoms, leather jackets and leather vests. Seeing those made me want to make my own leather vest.
SIN
The Kiyosato bike meeting, that brings back memories! That was the time when Tetsu ended up with only 500 yen left. After paying for the highway tolls and gas, our money just disappeared (laughs). At the time, the standard biker look was leather, black T-shirts, and a tight fit—but we started wearing nylon mountain parkas and oversized white T-shirts. At the same time, we adopted functional pieces like leather pants with chaps※3. I remember you even wore chaps to school (laughs). I didn’t dislike that style, but I didn’t want to wear the classic, mainstream look as it was. Maybe it’s because I loved it that I sort of kept my distance from it.
TET
Later, when the skateboarder Jason Jessee ※4 appeared in Iron Horse ※5, I felt a real sense of sympathy with him.
SIN
That was a big moment. I thought, “Ah, this is a way to make it work.” I realized it was okay to ride a Harley wearing Vans. It showed me that it’s fine to interpret things in your own way.
Continues in Part 2
※1 Hot Bike Japan: Japan’s first Harley-Davidson–dedicated magazine, launched in 1992.
※2 Kiyosato Bike Meeting: An event for Harley-Davidson enthusiasts held in the Kiyosato area of Yamanashi Prefecture.
※3 Chaps: Leather protective gear worn over pants by cowboys to protect their legs, lacking a crotch section; traditionally adopted by American motorcycle enthusiasts as well.
※4 Jason Jessee: Born in 1969. An American professional skateboarder and car designer, active in the late 1980s as a rider for Santa Cruz Skateboards.
※5 Iron Horse: A U.S. motorcycle magazine published from 1979 to 2011. Originally a spinoff of Easyriders. While its sister magazine focused on Harley-Davidson and Indian models, Iron Horse aimed to feature a wide variety of motorcycles.


A snapshot from when I attended the Kiyosato Bike Meeting.
Shinsuke Takizawa
Creative Director of NEIGHBORHOOD. He launched the brand in 1994 in Harajuku, Tokyo. In addition to the main label NEIGHBORHOOD, he oversees the kids’ line NH ONETHIRD and SRL, which explores urban coexistence between humans and plants. With its flagship store in Harajuku, the brand has expanded its presence to markets worldwide.
photo: Tomohiko Tagawa
text: Nobukazu Kishi